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Johann Bernoulli Reisen durch Brandenburg, Pommern, Preussen, Curland, Russland und Pohlen. Bd. 2

Примечание: Путешествия по Бранденбургу, Померании, Пруссии, Курляндии, России и Польше, совершенные в 1777 и 1778 годах. Полный вариант заголовка: «Johann Bernoulli's Reisen durch Brandenburg, Pommern, Preussen, Curland, Russland und Pohlen in den Jahren 1777 und 1778. Bd. 2. Rückreise von Danzig über Stettin nach Berlin im Jahr 1777 und zweite Reise nach Danzig».

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Мыльница Ridder "Danzig", цвет: серебряный

Изделия данной серии устойчивы к ультрафиолету, т.к. изготавливаются из полирезины. Экологичная полирезина - это твердый многокомпонентный материал на основе синтетической смолы, с добавлением каменной крошки и красящих пигментов.

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Johann Bernoulli Reisen durch Brandenburg, Pommern, Preussen, Curland, Russland und Pohlen. Bd. 1

Примечание: Путешествия по Бранденбургу, Померании, Пруссии, Курляндии, России и Польше, совершенные в 1777 и 1778 годах. Полный вариант заголовка: «Johann Bernoulli's Reisen durch Brandenburg, Pommern, Preussen, Curland, Russland und Pohlen in den Jahren 1777 und 1778. Bd. 1. Reise nach Danzig und Beschreibung der Merkwürdigkeiten dieser Stadt».

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Johann Bernoulli Reisen durch Brandenburg, Pommern, Preussen, Curland, Russland und Pohlen. Bd. 3

Примечание: Путешествия по Бранденбургу, Померании, Пруссии, Курляндии, России и Польше, совершенные в 1777 и 1778 годах. Полный вариант заголовка: «Johann Bernoulli's Reisen durch Brandenburg, Pommern, Preussen, Curland, Russland und Pohlen in den Jahren 1777 und 1778. Bd. 3. Reise von Danzig nach Konigsberg und von da nach Petersburg im Jahre 1778».

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Russian Criminal Tattoo: Encyclopaedia: Volume III

This is the final volume of drawings and photographs from Danzig Baldaev and Sergei Vasiliev, which completes the Russian Criminal Tattoo Encyclopaedia trilogy. Danzig Baldaev documented over three thousand tattoos during a lifetime working as a prison guard. His recording of this esoteric world was reported to the KGB who unexpectedly supported him, realising the importance of being able to establish facts about convicts by reading the images on their bodies. The motifs depicted represent the uncensored lives of the criminal classes, ranging from violence and pornography to politics and alcohol. A medieval knight is surrounded by the severed heads of his enemies, a naked woman simultaneously services a man and two dwarfs, a crying President Gorbachev grips a human bone between sabre-like fangs, a host of angels drink vodka with God on a cloud. The illustrated criminals of Russia tell the tale of their closed society. With an introduction by historian Alexander Sidorov, exploring the origin of Russian criminal tattoos and their meaning today.

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Eva Hesse

Eva Hesse’s distinctive process-based art exerted a powerful influence on minimalist artists of the 1960s and continues to inspire artists today. Using industrial materials such as latex and fiberglass, she exploited their flexibility to produce works with an unsettling psychic and corporeal resonance. Hesse, who was born in Germany in 1936 and raised in New York City, died of cancer in New York in 1970. Eva Hesse focuses on the body of criticism that has developed since the last major retrospective of Hesse’s work, at the Yale University Art Gallery in 1992. The book’s publication coincides with a major exhibition organized jointly by the San Francisco Museum of Art and the Wiesbaden Museum. Eva Hesse contains a 1970 interview by Cindy Nemser, a discussion between Mel Bochner and Joan Simon, and essays by Briony Fer, Rosalind Krauss, Mignon Nixon, and Anne M.Wagner.

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Soviets

Soviets features unpublished drawings from the archive of Danzig Baldaev. Made in secret, they satirize the Communist Party system and expose the absurdities of Soviet life. Baldaev touches on a wide range of subjects, from drinking (Alcoholics and Shirkers) to the Afghan war (The Shady Enterprise), via dissent (Censorship, Paranoia and Suspicion) and religion (Atheism as an Ideology). He reveals the cracks in the crumbling socialist structure, describing the realities of living in a country whose leaders are in pursuit of an ideal that will never arrive. The drawings date from the 1950s to the period immediately before the fall of the Soviet Union in 1991, with caricatures exposing communism's winners and losers: the stagnation of the system, the corruption of its politicians and the effect of this on the ordinary soviet citizen. Baldaev's drawings are contrasted with classic propaganda-style photographs taken by Sergei Vasiliev for the newspaper Vercherny Chelyabinsk. These photographs depict the world the Communist leaders dreamed of: where the local factory produced its millionth tractor and heroic workers fulfilled their five-year plans. It is impossible to imagine the daily reality of living under such a system; this book shows us - both broadly and in minute detail - what it must have been like.

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The Amity Affliction Wiesbaden

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